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Duncan Macarthur

Family Portraits

Red Gallery
Wednesday 22 JulySunday 2 August

Duncan Macarthur’s practice explores the intersection of queer identity, memory, and the expressive potential of contemporary portraiture. Drawing from an archive of found family photographs and Pop iconography, they investigate how personal and collective histories can be reimagined through the physical act of painting.

Central to their work is a specialised methodology of material experimentation, using spray paint to fortify Queer narratives through a process of Mimetic Drift. By allowing the source image to dissolve and shift during execution, this visual drift serves as a potent metaphor for the fluidity of identity. By layering historical references with a vibrant, visceral materiality, Macarthur’s paintings bypass literal likeness to capture the psychological depth of the queer experience. Ultimately, this body of work invites viewers to consider how we construct our own histories and how those narratives continue to shape our presence in the world today.

Location

Red Gallery
157 St Georges Rd, Fitzroy North VIC 3068, Australia

Date

Wednesday 22 JulySunday 2 August

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All exhibition content on this website has been sourced from the exhibiting gallery’s website or provided by other art enthusiasts. We do not own or seek to own any of this material. If you are concerned about any misuse of your content, please let us know here.

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Duncan Macarthur

Family Portraits

Red Gallery
Wednesday 22 JulySunday 2 August

Duncan Macarthur’s practice explores the intersection of queer identity, memory, and the expressive potential of contemporary portraiture. Drawing from an archive of found family photographs and Pop iconography, they investigate how personal and collective histories can be reimagined through the physical act of painting.

Central to their work is a specialised methodology of material experimentation, using spray paint to fortify Queer narratives through a process of Mimetic Drift. By allowing the source image to dissolve and shift during execution, this visual drift serves as a potent metaphor for the fluidity of identity. By layering historical references with a vibrant, visceral materiality, Macarthur’s paintings bypass literal likeness to capture the psychological depth of the queer experience. Ultimately, this body of work invites viewers to consider how we construct our own histories and how those narratives continue to shape our presence in the world today.

Location

Red Gallery
157 St Georges Rd, Fitzroy North VIC 3068, Australia

Date

Wednesday 22 JulySunday 2 August

Save to Calendar

All exhibition content on this website has been sourced from the exhibiting gallery’s website or provided by other art enthusiasts. We do not own or seek to own any of this material. If you are concerned about any misuse of your content, please let us know here.

Suggest a change

Suggest an edit or change to this exhibition

Exhibition information

Personal information