Pascale Bardos’ practice is characterised by a dualism in which empirical research and intuition coexist- developed through her enquiry of sensation and experience. Bardos investigates properties of matter (lightness, translucence, fluidity) and physical phenomena (reflection, perspective, balance) to form her methodologies. Creating installations, immersive environments and sculptures, she orchestrates a sensory experience of her surroundings allowing the physical properties of space, colour and light to guide the final work.
Combining practices of large-scale architectural interventions, sculpture and durational performance, Bridie Lunney acknowledges the body as a conduit between our psychological selves and the physical world. Recent projects include Temporal Proximities, Magdalene Laundries at Abbotsford Convent, 2019; From Will to Form, TarraWarra Biennial, New Histories at Bendigo Art Gallery, 2018; Fold for Melbourne Prize for Urban Sculpture, Federation Square, 2017; An Imprecise Science Artspace, Sydney, 2015; This Endless Becoming for Melbourne Now, National Gallery of Victoria, 2014. She is a Lecturer in Sculpture at the National Art School, Sydney.
Location
Blindside
Room 14, Level 7, 37 Swanston Street, Melbourne
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