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Exhibitions

Monday 12 October
2026

Adam Elliot

Making Memoir of a Snail

ACMI
Thursday 8 August – Sunday 1 November

Group Show

EMERGENCE[Y]

Melbourne Science Gallery
Saturday 6 June – Saturday 5 December

Christopher Pyett

Years of Colour

McClelland Gallery
Saturday 27 June – Sunday 25 October

Alison Tedesco

Street Stories

McClelland Gallery
Saturday 27 June – Sunday 25 October

Group Show

Chogh چوغ

Bundoora Homestead Art Centre
Wednesday 1 July – Saturday 24 October

Heidi Schoenheimer

Around Here

Bundoora Homestead Art Centre
Wednesday 1 July – Saturday 24 October

Group Show

Requiem in Power (RIP)

Bundoora Homestead Art Centre
Wednesday 1 July – Saturday 24 October

Sally Ann McIntyre

Post-extinction huia soundings

Bundoora Homestead Art Centre
Wednesday 1 July – Saturday 24 October

Group Show

Watch These Hands

Heide Museum of Modern Art
Saturday 4 July – Sunday 25 October

Group Show

Views and Vistas of the Valley

Incinerator Gallery
Saturday 18 July – Saturday 31 October

Group Show

Inside the Mirage

TarraWarra Museum of Art
Saturday 25 July – Sunday 1 November

Brassaï

Secret Paris

Heide Museum of Modern Art
Saturday 25 July – Sunday 15 November

Group Show

Truth Telling Display

Bundoora Homestead Art Centre
Wednesday 5 August – Saturday 19 December

Group Show

language to reach with

West Space
Saturday 22 August – Saturday 24 October

Lane Cormick

Nicola Daniel Otellario

Daine Singer
Saturday 20 September – Saturday 1 November

Lane Cormick’s creative output is diverse and conceptual. His work draws from a wide array of influences including the aesthetics of the industrial and functional, investigation of skill and technique, performance, failure, music, modernist and contemporary culture. These influences feed into an art practice that is open-ended and without predictable outcome. Previous works have been created across various media including drawing, print-making, sculpture, installation and collaborative projects, performance and procedure. He has a commitment to impractical or unreasonable projects that test his skill and technique, and to work that is informed by conversation and obscure narratives that connect both to him and his community.

Cormick’s nicola daniel otellario is a new series of 2.8 metre tall paintings overlaid with the text of an interview with Wayne Kramer of the Detroit band MC5. The text comes from an online compilation of interviews with Kramer, which Cormick recently read and connected back to memory of being a teenager and having first heard Kramer in a radio interview — an early introduction to alternative music and “the seductive power of something cool”. Cormick’s work made in response comes out of his desire to find an obscure kernel of interest and influence, connecting back to an earlier and more easily impressed self. In effect, an attempt to create 'something cool’ in response.

Kramer emerges through the interviews at different points in his life, at moments of fame and recognition when young and hot, in later obscurity and working as a house builder, and interviewed after a jail term for drug dealing. Elements of his narrative resonate with Cormick and his work, and Kramer is indeed fascinating for his reflections on mortality, the gaining and losing of fame and money. However, Cormick notes that Kramer is not necessarily the most interesting member of MC5, the proto-punk rock band that emerged in the early 1960s in Detroit. As such, Cormick is less concerned with the character or creative output of Kramer, than he is with the ability of this figure to stand in for some of the codes that most interest Cormick — aesthetics of masculinity, performance, risk, spectacle, fandom and repetition. Cormick notes “it doesn’t matter who he was, he was just there for a split second. It could be anyone”.

Accompanying the wall work is a series of suspended sculptures, through which Cormick revisits another formative moment of his youth, when a young Lane purchased his first nunchucks. This set of nunchucks has been recreated through hand carving — coded threat, risk and masculinity encased in minimalist glass tubes.

Location

Daine Singer
83 Weston St, Brunswick VIC 3056

Date

Saturday 20 September – Saturday 1 November

Save to Calendar

Website

https://www.dainesinger.com/lane-cormick-2025

All exhibition content on this website has been sourced from the exhibiting gallery’s website or provided by other art enthusiasts. We do not own or seek to own any of this material. If you are concerned about any misuse of your content, please let us know here.

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Exhibitions

Monday 12 October
2026

Adam Elliot

Making Memoir of a Snail

ACMI
Thursday 8 August – Sunday 1 November

Group Show

EMERGENCE[Y]

Melbourne Science Gallery
Saturday 6 June – Saturday 5 December

Christopher Pyett

Years of Colour

McClelland Gallery
Saturday 27 June – Sunday 25 October

Alison Tedesco

Street Stories

McClelland Gallery
Saturday 27 June – Sunday 25 October

Group Show

Chogh چوغ

Bundoora Homestead Art Centre
Wednesday 1 July – Saturday 24 October

Heidi Schoenheimer

Around Here

Bundoora Homestead Art Centre
Wednesday 1 July – Saturday 24 October

Group Show

Requiem in Power (RIP)

Bundoora Homestead Art Centre
Wednesday 1 July – Saturday 24 October

Sally Ann McIntyre

Post-extinction huia soundings

Bundoora Homestead Art Centre
Wednesday 1 July – Saturday 24 October

Group Show

Watch These Hands

Heide Museum of Modern Art
Saturday 4 July – Sunday 25 October

Group Show

Views and Vistas of the Valley

Incinerator Gallery
Saturday 18 July – Saturday 31 October

Group Show

Inside the Mirage

TarraWarra Museum of Art
Saturday 25 July – Sunday 1 November

Brassaï

Secret Paris

Heide Museum of Modern Art
Saturday 25 July – Sunday 15 November

Group Show

Truth Telling Display

Bundoora Homestead Art Centre
Wednesday 5 August – Saturday 19 December

Group Show

language to reach with

West Space
Saturday 22 August – Saturday 24 October

Lane Cormick

Nicola Daniel Otellario

Daine Singer
Saturday 20 September – Saturday 1 November

Lane Cormick’s creative output is diverse and conceptual. His work draws from a wide array of influences including the aesthetics of the industrial and functional, investigation of skill and technique, performance, failure, music, modernist and contemporary culture. These influences feed into an art practice that is open-ended and without predictable outcome. Previous works have been created across various media including drawing, print-making, sculpture, installation and collaborative projects, performance and procedure. He has a commitment to impractical or unreasonable projects that test his skill and technique, and to work that is informed by conversation and obscure narratives that connect both to him and his community.

Cormick’s nicola daniel otellario is a new series of 2.8 metre tall paintings overlaid with the text of an interview with Wayne Kramer of the Detroit band MC5. The text comes from an online compilation of interviews with Kramer, which Cormick recently read and connected back to memory of being a teenager and having first heard Kramer in a radio interview — an early introduction to alternative music and “the seductive power of something cool”. Cormick’s work made in response comes out of his desire to find an obscure kernel of interest and influence, connecting back to an earlier and more easily impressed self. In effect, an attempt to create 'something cool’ in response.

Kramer emerges through the interviews at different points in his life, at moments of fame and recognition when young and hot, in later obscurity and working as a house builder, and interviewed after a jail term for drug dealing. Elements of his narrative resonate with Cormick and his work, and Kramer is indeed fascinating for his reflections on mortality, the gaining and losing of fame and money. However, Cormick notes that Kramer is not necessarily the most interesting member of MC5, the proto-punk rock band that emerged in the early 1960s in Detroit. As such, Cormick is less concerned with the character or creative output of Kramer, than he is with the ability of this figure to stand in for some of the codes that most interest Cormick — aesthetics of masculinity, performance, risk, spectacle, fandom and repetition. Cormick notes “it doesn’t matter who he was, he was just there for a split second. It could be anyone”.

Accompanying the wall work is a series of suspended sculptures, through which Cormick revisits another formative moment of his youth, when a young Lane purchased his first nunchucks. This set of nunchucks has been recreated through hand carving — coded threat, risk and masculinity encased in minimalist glass tubes.

Location

Daine Singer
83 Weston St, Brunswick VIC 3056

Date

Saturday 20 September – Saturday 1 November

Save to Calendar

Website

https://www.dainesinger.com/lane-cormick-2025

All exhibition content on this website has been sourced from the exhibiting gallery’s website or provided by other art enthusiasts. We do not own or seek to own any of this material. If you are concerned about any misuse of your content, please let us know here.

Suggest a change

Suggest an edit or change to this exhibition

Exhibition information

Personal information

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