Sun

Mon

Tue

Wed

Thu

Fri

Sat

Exhibitions

Monday 2 March
2026

Adam Elliot

Making Memoir of a Snail

ACMI
Thursday 8 AugustSunday 1 November

John Nixon

Song of the Earth

Heide Museum of Modern Art
Wednesday 26 NovemberMonday 9 March

Tammy Kanat

Circle of Her

Jewish Museum of Australia
Thursday 18 SeptemberSunday 22 March

Inbal Nissim

Regards From Your Future

Jewish Museum of Australia
Monday 6 OctoberSunday 22 March

Hany Armanious

Stone Soup

Buxton Contemporary
Friday 21 NovemberSaturday 11 April

Nipa Doshi

MECCA X NGV Women in Design Commission 2025

NGV International
Thursday 25 SeptemberWednesday 1 April

Group Show

Houses, Spouses, Crises and Chrises

Arts Project Australia Gallery
Saturday 31 JanuarySaturday 7 March

Tourmaline

Transcendent

Australian Centre for Contemporary Art
Friday 12 DecemberSunday 15 March

r e a

r e a : c l a i m e d

Australian Centre for Contemporary Art
Friday 12 DecemberSunday 15 March

Vivienne Westwood & Rei Kawakubo

Westwood Kawakubo

NGV International
Sunday 7 DecemberSunday 19 April

Group Show

Wyndham Art Prize 2026: Finalist

Wyndham Art Gallery
Monday 19 JanuarySunday 22 March

Group Show

Wet Areas

Gallery Jones
Sunday 1 FebruaryTuesday 31 March

David Bradley

EPOCH

Lyon Housemuseum
Thursday 31 JulySunday 31 May

Group Show

Through Our Eyes

Blak Dot Gallery
Saturday 14 FebruarySunday 8 March

Group Show

A Conch Choir

Blak Dot Gallery
Saturday 14 FebruarySunday 8 March

Tina Stefanou

Motet Fail

West Space
Saturday 14 FebruarySaturday 18 April

Cindy Huang

Landings

Gertrude Contemporary
Saturday 7 FebruarySaturday 21 March

Augusta Vinall Richardson

Temporary Configurations

Gertrude Contemporary
Saturday 7 FebruarySaturday 21 March

Group Show

Molten Tongues

Incinerator Gallery
Saturday 31 JanuarySaturday 28 March

Group Show

GRAPHIC

Boom Gallery
Thursday 26 FebruarySaturday 21 March

Group Show

Fresh! 2026

Craft
Saturday 14 FebruarySaturday 28 March

Cam Summers

And Where's The World You're Living In

Backwoods Gallery
Friday 20 FebruarySunday 8 March

Nicholas Mahady

Pressure

Daine Singer
Saturday 7 FebruarySaturday 7 March

Group Show

Three Painters — Katherine Hattam, Milly James, Maureen Poulson Napangardi

Sarah Scout Presents
Friday 13 FebruarySaturday 28 March

Scotty So

Oh This Archival Dior Hat?

MARS Gallery
Saturday 14 FebruarySaturday 14 March

Julia Trybala

New Paintings

Station Gallery
Saturday 31 JanuarySaturday 14 March

Ronnie Van Hout

- 0 +

Station Gallery
Saturday 31 JanuarySaturday 14 March

Lilli Strömland

Spring & Weave

MARS Gallery
Wednesday 12 NovemberFriday 12 December

Spring & Weave was born out of a residency I participated in in the Danish countryside earlier this year. I had intentionally sought out a residency in Scandinavia to reconnect with my roots. My father is Swedish, but immigrated to Australia as a teenager and was encouraged to let go of the Swedish language and traditions in order to assimilate. As a result, I’ve grown up feeling fairly disconnected from that side of my identity. So, when I was accepted into a residency, even in neighbouring Denmark, I was thrilled at the chance to explore those roots more deeply.

The residency took place at the Leif Hasles Foundation, housed in an 18th-century barn in a small village called Vindbyholt. Nestled amongst rolling farmland, I had access to the freshest Scandi spring produce. I’d simply pop next door to the honour-system farm shop to pick up freshly harvested fruit and vegetables. Every so often I’d ride a bike several kilometres down to the local village to top up my supplies.

The simplicity of life in Vindbyholt was quietly addictive. With little to focus on besides eating and painting, I began to paint what I ate.

As the paintings of my food came naturally to me, I still wanted to tie them back to my Swedish heritage in some way. Through research and conversations with local Danish residents about Swedish culture, I came across Swedish flatweave rugs known as Rölakans. In my Swedish family, there’s a history of women weaving on looms, and as I often work with textiles in my own practice, referencing the Rölakan felt like a natural next step. I began experimenting with weaving paper, treating it like fabric. The paintings of local vegetables were soon woven like Rölakan rugs.

Inspired by my Swedish textile heritage, I also decided to reference the textile craft of quilting, which I learned from my maternal grandmother. This is reflected in the way the work has been installed: the A4 paintings hang closely together, as if each piece is a patch in a larger quilt.

Quilted and woven, these works reflect both my Swedish and Australian heritage, and the way they meet through quiet, domestic acts of eating and making.

Location

MARS Gallery
7 James St, Windsor VIC, Australia

Date

Wednesday 12 NovemberFriday 12 December

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All exhibition content on this website has been sourced from the exhibiting gallery’s website or provided by other art enthusiasts. We do not own or seek to own any of this material. If you are concerned about any misuse of your content, please let us know here.

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Exhibition information

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Exhibitions

Monday 2 March
2026

Adam Elliot

Making Memoir of a Snail

ACMI
Thursday 8 AugustSunday 1 November

John Nixon

Song of the Earth

Heide Museum of Modern Art
Wednesday 26 NovemberMonday 9 March

Tammy Kanat

Circle of Her

Jewish Museum of Australia
Thursday 18 SeptemberSunday 22 March

Inbal Nissim

Regards From Your Future

Jewish Museum of Australia
Monday 6 OctoberSunday 22 March

Hany Armanious

Stone Soup

Buxton Contemporary
Friday 21 NovemberSaturday 11 April

Nipa Doshi

MECCA X NGV Women in Design Commission 2025

NGV International
Thursday 25 SeptemberWednesday 1 April

Group Show

Houses, Spouses, Crises and Chrises

Arts Project Australia Gallery
Saturday 31 JanuarySaturday 7 March

Tourmaline

Transcendent

Australian Centre for Contemporary Art
Friday 12 DecemberSunday 15 March

r e a

r e a : c l a i m e d

Australian Centre for Contemporary Art
Friday 12 DecemberSunday 15 March

Vivienne Westwood & Rei Kawakubo

Westwood Kawakubo

NGV International
Sunday 7 DecemberSunday 19 April

Group Show

Wyndham Art Prize 2026: Finalist

Wyndham Art Gallery
Monday 19 JanuarySunday 22 March

Group Show

Wet Areas

Gallery Jones
Sunday 1 FebruaryTuesday 31 March

David Bradley

EPOCH

Lyon Housemuseum
Thursday 31 JulySunday 31 May

Group Show

Through Our Eyes

Blak Dot Gallery
Saturday 14 FebruarySunday 8 March

Group Show

A Conch Choir

Blak Dot Gallery
Saturday 14 FebruarySunday 8 March

Tina Stefanou

Motet Fail

West Space
Saturday 14 FebruarySaturday 18 April

Cindy Huang

Landings

Gertrude Contemporary
Saturday 7 FebruarySaturday 21 March

Augusta Vinall Richardson

Temporary Configurations

Gertrude Contemporary
Saturday 7 FebruarySaturday 21 March

Group Show

Molten Tongues

Incinerator Gallery
Saturday 31 JanuarySaturday 28 March

Group Show

GRAPHIC

Boom Gallery
Thursday 26 FebruarySaturday 21 March

Group Show

Fresh! 2026

Craft
Saturday 14 FebruarySaturday 28 March

Cam Summers

And Where's The World You're Living In

Backwoods Gallery
Friday 20 FebruarySunday 8 March

Nicholas Mahady

Pressure

Daine Singer
Saturday 7 FebruarySaturday 7 March

Group Show

Three Painters — Katherine Hattam, Milly James, Maureen Poulson Napangardi

Sarah Scout Presents
Friday 13 FebruarySaturday 28 March

Scotty So

Oh This Archival Dior Hat?

MARS Gallery
Saturday 14 FebruarySaturday 14 March

Julia Trybala

New Paintings

Station Gallery
Saturday 31 JanuarySaturday 14 March

Ronnie Van Hout

- 0 +

Station Gallery
Saturday 31 JanuarySaturday 14 March

Lilli Strömland

Spring & Weave

MARS Gallery
Wednesday 12 NovemberFriday 12 December

Spring & Weave was born out of a residency I participated in in the Danish countryside earlier this year. I had intentionally sought out a residency in Scandinavia to reconnect with my roots. My father is Swedish, but immigrated to Australia as a teenager and was encouraged to let go of the Swedish language and traditions in order to assimilate. As a result, I’ve grown up feeling fairly disconnected from that side of my identity. So, when I was accepted into a residency, even in neighbouring Denmark, I was thrilled at the chance to explore those roots more deeply.

The residency took place at the Leif Hasles Foundation, housed in an 18th-century barn in a small village called Vindbyholt. Nestled amongst rolling farmland, I had access to the freshest Scandi spring produce. I’d simply pop next door to the honour-system farm shop to pick up freshly harvested fruit and vegetables. Every so often I’d ride a bike several kilometres down to the local village to top up my supplies.

The simplicity of life in Vindbyholt was quietly addictive. With little to focus on besides eating and painting, I began to paint what I ate.

As the paintings of my food came naturally to me, I still wanted to tie them back to my Swedish heritage in some way. Through research and conversations with local Danish residents about Swedish culture, I came across Swedish flatweave rugs known as Rölakans. In my Swedish family, there’s a history of women weaving on looms, and as I often work with textiles in my own practice, referencing the Rölakan felt like a natural next step. I began experimenting with weaving paper, treating it like fabric. The paintings of local vegetables were soon woven like Rölakan rugs.

Inspired by my Swedish textile heritage, I also decided to reference the textile craft of quilting, which I learned from my maternal grandmother. This is reflected in the way the work has been installed: the A4 paintings hang closely together, as if each piece is a patch in a larger quilt.

Quilted and woven, these works reflect both my Swedish and Australian heritage, and the way they meet through quiet, domestic acts of eating and making.

Location

MARS Gallery
7 James St, Windsor VIC, Australia

Date

Wednesday 12 NovemberFriday 12 December

Save to Calendar

All exhibition content on this website has been sourced from the exhibiting gallery’s website or provided by other art enthusiasts. We do not own or seek to own any of this material. If you are concerned about any misuse of your content, please let us know here.

Suggest a change

Suggest an edit or change to this exhibition

Exhibition information

Personal information